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The change in the fourth is critical in Chopin's This raagam closely resembles the harmonic minor scale except for a different semitone in the fourth. An example can found in Oothukkadu Venkatasubba Iyer's 'Asainthadum Mayil' written in the Simhendramadhyamam raagam. Pieces that have a strong vocal component do resemble Carnatic songs. Although the basis of the Carnatic tradition is to use the taalam and the raagam, not found in European Classical Music, some of Chopin's Instruments if any are either used as accompaniments or transcribe songs There is generous use of the pedal is almost all pieces, which further emphasizes the need toĬreate the 'sotto voce's or the 'smorzando's we so often find in his work.Ĭarnatic Music is a tradition of South India, where songs are composed primarily for the voice. Most of Chopin's music have aįamiliar melody highly reminiscent of a voice, particularly that of a woman's. In Relation to Carnatic MusicĬhopin's primary contribution to the 'state-of-the-art' was to give a keyboard instrument such as the piano, the tone of a voice.
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Most believe that Chopin never saw Beethoven in his music, save for some tributes such asīoth composers represent a different world view and both being favorites, its always interesting to learn and compare their music. Trying to throw the sound into absolutism which Beethoven uses abundantly.
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To me, a long trill on any instrument is indicative of the composer One can attribute this partly to the sonata form, which developed in the classical period but it is little surprise why Beethoven wrote piano pieces mainly in this form.Īnother stark difference can be found in the use of long trills which Chopin almost never does. 21, 'Waldstein', the first movement is sublime in its form yet absolutely grand and detached. Beethoven will fall in the first category, as would Brahms.Īs much as most composers defy this kind of bland classification, there is something strikingly contradictory between Beethoven's piano music and Chopin's. The latter set, as would Mendelssohn and Schumann (I will with some caution, also say Schubert). The other, moved by the simplest of earthly beauty, work hard to condense it in their notes.
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To reach the omniscient with their music. When it comes to Romantic composers, I like to classify them into two broad categories: one quite absolutist, observing the world from an eagle's view and trying I can only guess that this quality of undecidedness would have required Chopin to be one with a particular instrument,Īnd his fingers be a medium to share his deepest of feelings with an inanimate object. Such is the personal nature of Chopin's music. It is probably apt to say that grammar is often exhausted of expressions to describe the sound. 1, where the pianist and the listener is left tranced with a myriad The best examplesĪre found in his larger works such as the Ballade No. When examined further, not only a picture but even an emotion is hard to attach to most of Chopin's pieces. Such as the 'Revolutionary' for the Op.10, No.12 Etude and 'Raindrop' for the Op.28, No.15 PreludeĪre clear misnomers. Chopin himself never named his pieces more than just the general form and common names One reason for this maybe the relative undecidedness in Chopin's music. Is very apparent, and it almost seems that the music cannot be played on any other instrument. At any point while playing Chopin, the intimate relationship between the music and the piano The strength and uniqueness of Chopin's music lies in the piano. Links to a few recordings of mine on the piano and may be regarded as a dedication page. This page contains my personal interpretation of his music, some interesting references, There is no other music that touches me as much as Chopin's. When I play Chopin I know I speak directly to the hearts of people!" His music is the universal language of human communication. It is expressive and personal, but still a pure art.Įven in this abstract atomic age, where emotion is not fashionable, Chopin endures. It does not tell stories or paint pictures. Yet it is not 'Romantic music' in the Byronic sense. When the first notes of Chopin sound through the concert hall there is a happy sigh of recognition.Īll over the world men and women know his music. His music conquers the most diverse audiences. "Chopin was a genius of universal appeal. Fryderyk Chopin was a Polish composer of the Romantic Era in European classical music.Ĭhopin wrote exclusively for the piano, and his music is considered virtuosic while simultaneously being deeply expressive and personal.